Gina Gershon Biography, Husband, Movies, Now, Hair and Interview

Gina Gershon Biography | Actress Gina Gershon

Gina Gershon (Gina L. Gershon) is an American actress, singer, and author. She is mainly known for the roles she played in the movies Cocktail (1988), Showgirls (1995), Bound (1996), Face/Off (1997), The Insider (1999), Demonlover (2002), P.S. I Love You (2007), Five Minarets in New York (2010), Killer Joe (2011) and House of Versace (2013). She is currently playing the role of Gladys Jones on The CW teen drama series Riverdale. She started acting when she was 14.

She went to Collier Street Elementary School and Woodland Hills Academy (formerly known as Parkman Junior High). She attended Beverly Hills High School After graduating from high school in 1980, Gershon moved to Boston to attend Emerson College. She transferred to New York University, and graduated with a BFA in drama and psychology/philosophy in 1983.

Gina Gershon Age

Gershon was born on 10th June 1962. She is 57 years old.

Gina Gershon Husband

Gershon dated, Bobby Dekeyser, a Belgian Football player turned furniture designer in 2015. Howver in an interview in January 2018, she indicated that they were no longer in a relationship. Though Vanity Affair had indicated that she was involved with former U.S president Bill Clinton, in 2008, she denied the accusations claiming they were lies and that they greatly disturbed her.

Gina Gershon Photo

Gina Gershon Today | Gina Gershon Now

Gina Gershon is currently playing the role of Gladys Jones on The CW teen drama series Riverdale.

Gina Gershon Movies | Gina Gershon Showgirls

Year Title
1981 Beatlemania
1985 Girls Just Want to Have Fun
1986 3:15
1986 Pretty in Pink
1987 Sweet Revenge
1988 Red Heat
1988 Cocktail
1989 Suffering Bastards
1990 Voodoo Dawn
1991 Out for Justice
1991 Jungle Fever
1991 City of Hope
1992 The Player
1993 Joey Breaker
1994 Black and White
1994 Flinch
1995 Best of the Best 3: No Turning Back
1995 Showgirls
1996 Bound
1997 This World, Then the Fireworks
1997 Touch
1997 Face/Off
1998 Palmetto
1998 Lulu on the Bridge
1998 One Tough Cop
1998 I’m Losing You
1998 Prague Duet
1999 Black and White
1999 Guinevere
1999 The Insider
2001 Driven
2001 Picture Claire
2002 Slackers
2002 Demonlover
2002 Borderline
2003 Prey for Rock & Roll
2004 Out of Season
2004 Three Way
2005 One Last Thing…
2005 Category 7: The End of the World
2006 Dreamland
2006 Man About Town
2006 Kettle of Fish
2006 Delirious
2007 What Love Is
2007 P.S. I Love You
2008 Just Business
2008 Beer for My Horses
2008 Gina Gershon Strips Down Sarah Palin
2009 The Goods: Live Hard, Sell Hard.
2010 Love Ranch
2010 Five Minarets in New York
2010 Across the Line: The Exodus of Charlie Wright
2011 Sarah Palin Media Addict
2011 Killer Joe
2011 Breathless
2012 LOL
2012 The Unknown Son
2013 Dealin’ with Idiots
2014 The Scribbler
2014 Mall
2014 The Lookalike
2015 Staten Island Summer
2017 Bad Kids of Crestview Academy
2017 Lost Cat Corona
2017 Permission
2017 Inconceivable
2017 9/11
2018 Blockers
2018 After Everything
2018 American Dresser
2019 Red Shoes and the Seven Dwarfs

Gina Gershon Pretty In Pink

One of Gershons major roles in Hollywood, was Pretty in Pink. She got her big break a few years later when she landed a role opposite Arnold Schwarzenegger in Red Heat. She later played some roles on parts of films like Showgirls, Cocktail and Face/Off. She has also gone ahead and appeared in many television shows like HBO’s How to Make It in America and Glee.

Gina Gershon Hair

 

Gina Gershon Hair

Gina Gershon Cocktail | Gina Gershon Curb Your Enthusiasm

Anna (Gina Gershon) is the sexy Hasidic woman who appears in Season 4 and Season 6 of Curb Your Enthusiasm. She is sarcastic and blunt. She offers to sleep with Larry because his tenth anniversary present from Cheryl is the opportunity to sleep with another woman. An earthquake alert interrupts their tryst.

Gina Gershon also features in the American romantic drama film directed by Roger Donaldson and written by Heywood Gould

Gina Gershon Interview

Q: Inconceivable reminds me of those 80s and 90s thrillers – Hand That Rocks The Cradle and things like that.

Yeah totally. That’s what I loved about it. It really is a throwback to those movies.

Q: It gives you a good role, too.

Gina Gershon: Yeah. It’s an interesting character and, even though it’s a throwback, it’s kind of with a modern theme. In today’s world, with surrogacy and having people come to your house… a woman who wants to be working and raise their kids. I do like the character, and I think it’s a fantastic thing that you can have someone else basically help you have your child. It’s a fantastic thing, and it can also be a scary thing – it could go south if you’re not careful.

Q: These sorts of thrillers deal with quite wealthy families. Do you think they feed into a certain paranoia among the rich?

Gina Gershon: Well, I don’t know. That may or may not be true. I just think if there’s something weird about the woman who’s carrying your child, and she shows up at your house and turns out to be crazy, then that’s a good reason to be paranoid!

Q: Oh yeah. I just mean that these thrillers play on our innate fears – of strangers, of the vulnerability of letting people into your home.

Gina Gershon: Yeah. Sociopaths and psychopaths are scary people, because a lot of the time people don’t realise they’re sick until it’s too late.

Q: Hmm. Working with Nic Cage again – this is the first time you’ve worked together since Face/Off isn’t it? Unless I’m mistaken.

Gina Gershon: No, we hadn’t worked together since Face/Off. It was really great. I love working with him. I mean it was a much straighter part in Inconceivable – Nic and I kept looking at each other like, “Okay, we’re parents now!” I think we’re both used to being a little nuttier in our performances, but I love him. I’ve known Nic a little bit since my high school days, so it’s a funny thing. Even though we’ve known each other a long time, we don’t really hang out that much. He’s always sweet and such a gentleman. I really adore him.

Q: It strikes me that you’re the star of the film and he’s the support.

Gina Gershon: Yeah, it was great of him to do that. He was like, “It’s important to be supportive of strong women roles, and I wanted to be a part of this.” It was very generous, and it was fantastic that he let me do it.

Q: Do you think things have improved for women in Hollywood now, versus when you were starting out in the 80s and 90s?

Gina Gershon: Um, no. Listen, at least the conversation is out there. I think we’re seeing more female directors, which seems silly that it’s taken so long, but we’ve seen the success of Wonder Woman, which is fantastic. I just saw Detroit – I think Kathryn Bigelow’s an incredible director. And women directors don’t have to just do the personal, heart-warming, relationship movies – they can direct big action movies and thrillers. You’re either a good director or not a good director – it doesn’t have any bearing.

Q: Are the roles you’re being offered more interesting?

Gina Gershon: As you get older it becomes more and more difficult. You’re seeing more on television. But Wonder Woman had all these great, strong roles for women. You know, most of these films are filled with 20 year-olds, or maybe in their early 30s, and a bunch of guys, and it’s nice to see women in the late 30s, 40s, 50s – it should really be across the board. I think, little by little, things get better. Certainly, with the success of Wonder Woman, or even Game Of Thrones, which is so fantastic for strong women. I just think, the more we see of that, the better it is.

Q: Absolutely. You’ve worked with some great directors over your career. Verhoeven, the Wachowskis, Michael Mann, William Friedkin. I wondered who you’ve most enjoyed working with.

Gina Gershon: I’ve been really luck because I’ve certainly worked with some really terrible directors [laughs]. I’ve done some crappy movies. But I’ve been lucky. I adored working with the Wachowskis. I loved working with Friedkin – it was difficult, but I love him as a director. I loved working with Robert Altman – I was very lucky to have worked with him on The Player. Michael Mann was fantastic. I just worked with David Gordon Green, who I really like – I was doing a third season of Red Oak. He’s just so funny. I got to work with Adam McCay on a couple of projects here and there. I worked with Kay Cannon, a female director, on a film called The Pact. She’s amazing to work with. It’s out next year and it’s funny, a really funny script.

Q: What are your thoughts on the way Showgirls was reassessed as a cult film?

Gina Gershon: It’s interesting. I mean, it made me never listen to reviews. Journalists, when they’re reviewing things, have a weird way of… I think it was about Joe Eszterhas and Paul Verhoeven at the time, it felt like a weird personal thing. It made me love Quentin Tarantino even more, because he was the only one who came out and said, “I love Showgirls, and this is why.” The interesting thing is, so many of these journalists who couldn’t stand the movie and put it down, to this day, if I’m doing interviews, they’ll say, “What about Showgirls?” They want to talk about it, but in kind of like a groupie sort of way, you know? I’m like, “Gee, I thought you hated this movie. Why are you still talking about it?”

I mean, if you believe the good reviews, you have to read the bad reviews. For better or worse, critics were kind to me in those reviews, which was also a little weird, when everyone’s putting down the movie and you get a nice review, you feel kind of weird about. You want everyone to… listen, it doesn’t matter at the end of the day. The movie’s still going strong and people are obsessed with it.

Q: As you say, reviews tend to be coloured by things going on around the movie and not just the movie itself, sometimes.

Gina Gershon: I think that’s what happened with Showgirls – a little bit of that. Listen, I think it’s partly the studio’s fault – they took it way too seriously and they marketed it way too seriously. It never should have been an NC-17 film. I think they shot themselves in the foot a little bit to be honest. It became a bit of a feeding frenzy.

Q: What are your memories of working with Paul Verhoeven, because he’s a famously passionate, fiery director?

Gina Gershon: Yes. Working with Paul Verhoeven prepared me for working with William Friedkin! They’re both really good at what they do, but they’re both very fiery and very passionate and, you know, they can be difficult at times but you have to figure out their rhythms and really not take things personally because they just get so impassioned with what they’re doing. But once you’ve learned that, they’re great. Friedkin is just one of those greats, you know? I could watch his movies a hundred times and I still see new things that I hadn’t noticed before.

Q: What’s your favourite film of his – that isn’t Killer Joe, obviously.

Gina Gershon: Oh, The Exorcist, for sure. I think I’ve probably seen The Exorcist over a hundred times.

Q: That many? Oh wow.

Gina Gershon: Oh yeah. I’m obsessed with that movie. I just think it’s so incredibly done.

Q: And it has some great roles for women in there, actually.

Gina Gershon: Yeah, Ellen Burstyn – she’s fantastic in that. She’s one of my all time favourites. Friedkin’s smart, because he knows good actors… if The Exorcist hadn’t been so well cast, with so many special actors, it could have been silly, but he anchors an unbelievable story in reality and really believable performances.

It’s the same with Get Out. I liked Get Out – really strong, solid actors in this crazy story. Because it’s so well directed and well acted, it just works. I loved it.

Q: It’s been a great few years for these mid-to-low-budget genre films.

Gina Gershon: I know. They’re my favourites. I’d like to do one of those. Rosemary’s Baby was always one of my favourites – I’d love to do a movie like that. That’s what Get Out kind of reminds me of. I’d love to do a movie like that, and I don’t think I ever have.

Q: What were your memories of working on Face/Off?

Gina Gershon: I loved working on that. John Woo is a genius. I mean, he really is. I just want him to do a musical. I think he’d be incredible at directing a musical, because if you look at his fight scenes, they’re so balletic and choreographed. I mean, he’d choreograph one scene for a day and a half, but then once you shoot it with eight different cameras, then the set’s done! Because everything blows up. You do it in one take. It’s exciting to work on. I don’t know, I love what he does.

Q: I’d pay to watch a John Woo musical, actually.

Gina Gershon: Wouldn’t that be great? I kept saying, “John, you need to do a musical”. He was like, “Yeah, I love musicals.” It’s such an obvious thing – I hope he does it one day.

Q: With the success of La La Land, you never know. It might’ve started a new trend! So what have you got coming up next? I saw that you have a lot of things, like a film called Shotgun coming out next year.

Gina Gershon: I’ve done a lot. I’m excited about a thing called Permission, that’s coming out this coming year. The Pact, the one I mentioned with Leslie Mann, I did Crashing, a TV series with Judd Apatow, which I really loved. There’s the movie 9/11 coming out, which I did with Charlie Sheen. I haven’t seen it yet, so I’ve no idea what it’s going to be like. Oh my God, what else did I do? I did another Brooklyn Nine-Nine, which is really fun, I did a couple last year. I just finished the third season of Red Oaks.

Oh! I have an animated series that just went on Amazon, it just won the best new animated show for kids, called Lost In Oz. It’s based on The Wizard Of Oz books, and it’s really good. I have to say I really liked what I’ve seen so far – it just won all these Emmys for daytime stuff. Then I did a South Korean movie, Snow White, with Chloe Grace Moretz. I play a witch in that, which is really fun. I feel like there are other things too – I’ve been working a lot.

Q: Wow. You have. I’m surprised you’ve had time to sleep.

Gina Gershon: No, I’m done! I just finished yesterday and I’m like, “I’m taking a break!”

Q: It sounds like you’ve earned it. Gina Gershon, thank you very much.

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